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JACK SCHMITT, 55, is a widower who has spent the twenty years since, raising their two kids alone in Arizona — and somewhere along the way, he quietly decided his own romantic life was over too. Then his daughter CLAIRE comes home early from an eighteen-month film shoot in England with her co-star and best friend — LOUISE, 28: sharp, funny, and more herself around Jack than anyone Claire has ever brought home. The two of them click in a way neither one went looking for.
When Claire gets called back overseas, Jack and Louise are left to finish a cross-country road trip alone — and a friendship neither planned starts turning into something the world will have very loud opinions about. Twenty-seven years sit between them, along with his guilt, her certainty, and a whole lot of noise waiting at the end of the road. The question was never whether they feel it. It’s whether Jack is brave enough to stop running from it.
Like where it’s headed? Reach out and I’ll send you the full treatment — the screenplay itself is sold by conversation.
Interested? Let’s talk[Synopsis goes here — replace with your real synopsis for the pilot: the world, the ensemble, and the engine that keeps the series running week to week.]
[Second paragraph — the pilot's closing turn and why episode two writes itself.]
Interested? Let's talk[Synopsis goes here — replace with your real synopsis. A short lives on a single tight idea; lay out the setup and the squeeze.]
Interested? Let's talk[Synopsis goes here — replace with your real synopsis. Set the dread early, then show what's underneath it.]
Interested? Let's talk[Placeholder] Reach out for a sample, a full read, or licensing inquiries.
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